And they did, with second album Mouvement: darker still, more aggressive, six instrumental tracks adding up to a massive whole. The Unfathomable EP, with a single 16-minute track, was CHAOS ECHŒS holding up a hand. Metal is simply a primordial element of our art, a part of our expression we use, mix, confront, twist…” But the more it goes the more I doubt CHAOS ECHŒS’s music is metal… “Metal is the seed of CHAOS ECHŒS’ music. Gathered in a poorly soundproofed basement night after night, they experimented with ideas drawn from minimalism and modern composition, seeming to come up with mere chaos until, the next morning, the results revealed themselves fully, as though they were hearing music made by someone else. This was new territory even for the members themselves. Even when the drums were pounding at their hardest, the feeling of floating weightless, going nowhere, remained.
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Nodding to black metal, to space rock, to PINK FLOYD and to free jazz, it sounded like it was recorded inside a haunted space station, cold winds blowing through the steel corridors as the vocals bounced from one side of the stereo field to the other like a phantom in your head. Beginning with gently struck bells and slowly ringing guitars, it was like stumbling into a ritual chamber and hearing the door lock behind you. Stefan Thanneur, Interview by Cathal Rodgers, Existentiell - Boundaries and Paradigms, 2019.ĭebut album Transient changed everything.
It is therefore natural not to expect anything conventional, calibrated”. “We are in the exploration, we go in search of feelings, emotions with music as vector. Taken together, they painted a portrait of a group that was part ALUK TODOLO, part BLUT AUS NORD, and part FUSHITSUSHA that had little if any interest in traditional heavy metal catharsis, or indeed being “heavy” in any conventional sense of that term and that had even less interest in explanations. A collection of mostly ambient pieces, performed by but two group members. A debut EP, Tone of Things to Come, that combined elements of death and doom metal with eerie electronics to create something inward-looking and coiled.
The first wave of releases seemed almost deliberately alienating. THE METAL WORLD NEVER KNEW WHAT TO MAKE OF FRANCE’S CHAOS ECHŒS.īUT TO BE FAIR, THE GROUP NEVER MADE IT EASY ON ANY LISTENER.
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